Kentaro Kumon | Markins Ball Head
Theme
Every kind
photographer
Kentaro Kumon
Date
July-October 2018
Location
All over Japan and Thailand
Device
Markins
Canon
EOS 5D MarkⅣ
EF24-70 F2.8LⅡ USM
EF24-70 F2.8LⅡ USM
Phase One
XF IQ3 100MP Trichromatic
XF IQ260
Schneider 45mm F3.5 LS
XF IQ260
Schneider 45mm F3.5 LS
Gitzo
GT5543 XLS
Review
Kentaro Kumon
Born in 1981. While working in magazines, books, and advertising, also produces work both in Japan and overseas. In recent years, focused on photographing Japanese agricultural landscapes. Has also photographed business owners and Living National Treasures. Photo books include Flowers of the Earth (Toho Publishing), BANEPA (Seikyusha), and The Cultivator (Heibonsha), as well as the photo essay Things I Love and the photo picture book Things I Love.
- Publications -
- Photo book "Flowers of the Earth" - Nepalese people's lives and prayers - (Toho Publishing)
- Photo book "BANEPA" - Nepal, the city of encounters - (Seikyusha)
- Photo book "What I Love" -Children of Chaukot Village, Nepal- (Kaiseisha)
- Photo essay "Goma's Clothing Store" - From the town of Banepa, Nepal - (Kaiseisha)
- Picture book "Friends of the World - Nepal" (Kaiseisha)
- Photo collection "The Cultivator" (Heibonsha)
- Photo exhibitions -
- 2004 "Between Happiness and Happiness" Setagaya Cultural Information Center Seikatsu Kobo
- 2006 "Flowers of the Earth" Meriken Gallery, Minatomachi Kobe
- 2009 "Graphic" EMON PHOTO GALLERY
- 2010 "BANEPA" 72GALLERY
- 2011 "BANEPA" EMON PHOTO GALLERY
- 2011 "Sesame Clothing Store" touring nationwide Canon galleries
- 2011 "PORTRAIT" EMON PHOTO GALLERY (Group exhibition)
- 2012 "March 2011, Rio de Janeiro" Brazilian Embassy
- 2014 "FÓOTKAT" Hasselblad Japan Gallery
- 2016 "The Cultivator" Canon Gallery S
- 2016 "EOS 5D Special Exhibition" Canon Galleries nationwide (group exhibition)
- 2016 "The Cultivator" Photo Gallery blue hole
- 2017 "The Cultivator" Idem Photo Gallery Sirius
- Awards -
- 2012 Photographic Society of Japan Newcomer Award
URL : http://www.k-kumon.net/
When I was studying to become a photographer, a senior photographer told me, "You can tell if a photographer is good or bad by looking at their tripod. You can't trust people who compromise on their tripod." This may have been an extreme expression of a senior's admonition, but that advice has stayed with me. It may be common sense for a photographer to always bring their favorite tripod with them even to locations where a tripod is not necessary. And you can tell how well a tripod (head) suits a person by looking at the location where they are using it.
For many years, I have used Gitzo's Type 3 and Type 5 carbon tripods and Dutch-made ball heads. Tripods have few steps. This is because you can change the size drastically with one operation. The ball heads are very simple in design, have large knobs, and I liked them because I could change the angle of the camera freely with one movement. I use them 365 days a year, so they are like an extension of my hands and feet.
However, in recent years, I have been looking for a better head. It's simple, but the camera is attached with a screw and the camera tends to move slightly when tightening the knob.
The main cameras I use now are Canon's EOS-1D X Mark II, EOS 5D Mark IV, and a mid-range digital camera with a Phase One XF body and IQ3 100MP trichromatic digital pack. I use the 1D for quick shooting, the 5D for versatility, and the Phase One for overwhelming resolution depending on the purpose, but I need to switch between them quickly. A screw-type head takes time, and I felt it was dangerous with heavy equipment like the Phase One.
I tried several ball heads, but I was not satisfied with the knob's ease of use, fixing power, safety, and durability, so I was troubled for a long time.
Then I came across the Markins ball head and plate.
Above all, I like the precision of the plate. By attaching a plate to each camera, not only can I quickly change cameras, but the L-shape prevents the plate itself from rotating (I tried other heads and plates, but when I carried the camera on the tripod while it was attached, the weight of the camera sometimes caused the plate itself to rotate). I have been using it for several months, and it has not rattled at all, and it has always stayed in place as perfectly as when it was new.
In addition to creating my own work, I also take photos in various genres upon request. In addition to my specialty, documentary photography, I also take photos of fashion, architecture, food, and more. I take photos accurately and quickly, while valuing my intuition, for any subject. Now this head is indispensable. I would like to continue to have a good tripod and head by my side without compromise.
For many years, I have used Gitzo's Type 3 and Type 5 carbon tripods and Dutch-made ball heads. Tripods have few steps. This is because you can change the size drastically with one operation. The ball heads are very simple in design, have large knobs, and I liked them because I could change the angle of the camera freely with one movement. I use them 365 days a year, so they are like an extension of my hands and feet.
However, in recent years, I have been looking for a better head. It's simple, but the camera is attached with a screw and the camera tends to move slightly when tightening the knob.
The main cameras I use now are Canon's EOS-1D X Mark II, EOS 5D Mark IV, and a mid-range digital camera with a Phase One XF body and IQ3 100MP trichromatic digital pack. I use the 1D for quick shooting, the 5D for versatility, and the Phase One for overwhelming resolution depending on the purpose, but I need to switch between them quickly. A screw-type head takes time, and I felt it was dangerous with heavy equipment like the Phase One.
I tried several ball heads, but I was not satisfied with the knob's ease of use, fixing power, safety, and durability, so I was troubled for a long time.
Then I came across the Markins ball head and plate.
Above all, I like the precision of the plate. By attaching a plate to each camera, not only can I quickly change cameras, but the L-shape prevents the plate itself from rotating (I tried other heads and plates, but when I carried the camera on the tripod while it was attached, the weight of the camera sometimes caused the plate itself to rotate). I have been using it for several months, and it has not rattled at all, and it has always stayed in place as perfectly as when it was new.
In addition to creating my own work, I also take photos in various genres upon request. In addition to my specialty, documentary photography, I also take photos of fashion, architecture, food, and more. I take photos accurately and quickly, while valuing my intuition, for any subject. Now this head is indispensable. I would like to continue to have a good tripod and head by my side without compromise.
■ Location shooting
Phase One XF IQ3 100MP Trichromatic / Schneider 45mm F3.5 LSF8 1/10 s ISO400
Model: Bird / Lolita F
Hair: Muneoka Keiko / Koike Megumi
Stylist: Hata Chizuko
Coordinate: Kaneko Jun
Hair: Muneoka Keiko / Koike Megumi
Stylist: Hata Chizuko
Coordinate: Kaneko Jun
■ Family photo
Phase One XF IQ260 / Schneider 45mm F3.5 LSF6.3 1/40 s ISO100
■ Car
Phase One XF IQ3 100MP / Schneider 45mm F3.5 LSF12 1/13 s ISO100
Mercedes-Benz E250
■ Food
Canon EOS 5D Mark IV / EF24-70mm F2.8LⅡ USMF7.1 1/100 s ISO500